Sunday, 24 February 2019

Man’s search for meaning



I would share my personal problem with my experience with search for meaning. One’s believes (or the thought process behind it) has extreme polarity.
Take my case, early in my childhood when I saw Amitabh Bachchan (A criminal) in Dewar asking his brother Shashi Kapoor (A Police Inspector) the famous line –“Jao ush admi se sign leke aao…. At that time I thought the whole world was wrong but Bachchan is right
But as I grow up my bad habit of observing people’s behavior intensified I observed that it is a recognized technique of any person who has been caught on the wrong foot to come up with hundreds of excuses. (My friend in psychiatry calls it Psychological projection)
Gradually I become a strong denouncer of this and started a strong self analysis of myself everyday). It is tough and problematic as I continued to search for meaning in everything. But all I found was -nothingness. I had to accept the philosophy under it and continued even if there is nothingness in everything. So these search for meaning become impractical.
As life continues, I embraced it, as it is unavoidable. But due to strong self analysis- self pity, self blaming lead to a miserable state of mind.
Ones identity is his thought process – gradually I had none as I got emerged in daily mechanical life and lost the time and appetite to analyze anything to my liking. I was immerged in the vortex of a vicious cycle. And saw me degrading (spiritually) as well as mentally.
Seeing it as a danger sign  I started the process of reconciliation (with me)and started doing what I like most –reading and thinking (writing comes next) may be after a year or so .
It’s a small book named: Man’s search for meaning (Viktor E. Frank)
While considering my life as miserable, I was amazed how this man found spirituality even in the most unfavorable condition inside the dreaded concentration camp. Coming from an affluent Jew family, a physician of merit, fate led him to the concentration camp. With humiliation to the core, hunger, death (of friend, family) and what not he continued his spirituality, survived all the possible danger and noted the point that there is purpose to every life (even in most unfavorable condition). This meaning may be some creative work, someone you love or something you wish.  And if you pursue it (and if you are lucky enough, unlike many of his friend and family) you may become a higher human being (there is no guaranty but that is the only option we have). And it is a continuous process (like He doesn’t have the right to behave inhuman way only because he has suffered a lot during the holocaust)
After reading I refreshed myself.
Self defense by psychological projection is bad and so is over self analysis.
Finding the balance (and Budha’s middle path is the ideal way but it is a tough state of continuous journey)
Yes the life is miserable –still there are many meaning to nothingness in life.

Wednesday, 19 September 2018

Memoirs of Meerut




: “If you live away from the place of your identity then you live a life of refugee.”
 My friend said once. He is correct in many aspects. It’s has been more than twelve years since I left Assam. Most of the time there is paucity of time to spend enough time in home during my home visit.  I have missed most of the Bihu, Uruka bhoj, marriage and other moment of crisis where my presence in Guwahati is required.  In many places my family is the only family who can speak in Assamese in the city. Even if you live amongst friend and family it’s a kind of emptiness within.
“Once you start to live in a place, you start developing roots “the other day my friend said in a contradictory statement
That’s also true...
I lived in Dehradun from 2007to 2012. The city had nostalgia of my youth hood. The atmosphere at that time resembled much that of Guwahati in 90s. The landscape, simplicity of locals suited my temperament.  Besides developing professional skills and propagating in my profession out here I was acquainted with the rules of the jungle with end number of visit to Rajaji National Park and sometime Corbett national Park.  Developed lots and lot of friends and well-wisher and almost in a time where the feeling was as such that I belong here I shifted to Meerut.  (And in the meanwhile my much elongated journey as a bachelor also finished in Dehradun only.)
2012 to 2018 I was in Meerut.
I was little bit apprehensive in the beginning, but gradually roots developed here too.  Abu lane, Begam pull, shoprix mall gradually got incorporated in our daily lingo. Street food or Moglai dishes, Fish market came handy and also the proximity to Delhi was the very helpful while connecting to the main land. There were occasional news of gunshot, here and there or lifting of chain /car here and there in the news paper, there were history of riots. Only once I was shocked by such news when owner of a pharmacy which I frequented was shot dead by some miscreant.  No such thing bothered us during those six years.
In personal front..both of my child Pratysh and Pokhi were borne here
As far as professional achievement was concerned, out here also I was lucky... my seniors supported me , juniors believed me, support staff  gave me faith overall teamwork was awesome during numerous milestone (Infection control , NABL, NABH , others ) we covered together .
With my students too I had their faith, in my personal moment of crisis like when my son was sick, everyone stood beside me like a rock.
Shifting is a big physical and mental stress. With every year things I have acquired has compounded ..and this time it is with two kids its been a Herculean task ..
Just in a time when I began to have my roots entangled in Meerut...I shifted again...this time to Bharatpur, Rajasthan …
Rolling  stone? Destiny …. Don’t know
But life continues, like a river flows    

Tuesday, 27 March 2018

Playwrights note Aikyatan- The Beethoven of someone’s heart




The ideas a play wishes to reflect originates in the sensibilities
of the playwright. Yet he has an uneasy feeling that directorial liberty
has intruded and distorted his ideas. Even the actors tend to oppose
the playwright’s or the director’s viewpoints. None questions the
individuality of the performer. But once out of the green room and on
stage, an actor’s opinions are straight jacketed and he has to transform
himself into a puppet, controlled by the ventriloquist duo of the
playright and the director. Only thus can be kept intact the sensitivity
of a subject oriented play.
But when these very puppets spring to life and transmogrify
into unleashed powerhouses of emotions, who emasculates them?
The director can clip the wings of the actor. But can he convincingly
ensoul the characters as envisioned by the playwright ? So,
does the theatre stage turns into Armageddon for the conflicting dogmatism
of the actors, the playwright and the director ?
Some such ubiquitous antipathies are behind the nascence of
Gitanjali, Betaal, Beraag and Aikyataan – beings from the land of the
mind, who asks : are we the corpses of a cultural death ? Are our
artists the carcasses of art?
We hear resigned sighs in the affirmative.
So, against this fatalism we hereby launch our crusade.

Plyawrits note
Aikyatan
An Assamese musical play
From Satyanusandhan a collection of Play in Assamese
Distributor Bandhab ,Panbazar
Price :Rs.180

Monday, 25 December 2017

Satyanusanndhan :Coolection of SIx plays in Assamese





My new book Satyanusandhan (সত্যানুসন্ধান), a collection of plays has reached the store.
It is Distributed by: Bandhav  ,Panbazar (বান্ধৱ, পাণবজাৰ)
Interested readers can go through the book and will be obliged if you give your valuable feedback (Whatever the cynicism, criticism it may be please do discuss in open)
Few of our readers are not acquainted with reading ASSAMESE drama (I don’t claim to be a master craft though) but reading plays can be a enchanting experience.
Why this new book?
“We have entered a post truth age, searching for truth has become obscured idea
Post truth phenomenon has entered the world of performance art so as in plays  
Has it hindered the importance of written word (or playwright as a whole?)
That makes documentation of this search for truth (সত্যানুসন্ধান), necessity.
Name :Satyanusandhan
Page no : 208
Price :180 only 

It contains three full length Play
one each -One act Play ,Children's Play and a Street Play

 
Publisher :Bhargavi Prakashan ,Assam contact :bhargaviassam@gmail.com
Distributor :Bandhav ,Panbazar,Guwahati , conatact bandhavpublication@gmail.com