Demystifying the best seller’s techniques

Down, alone and having time to kill after failing in doing anything creative I looked for some inspiration. I surfed through my 200 GB of world classic movie collection –Pier Paolo Pasolini. Claude Chabrol   Jean-Luc Godard (from 1980 onward); well…after few hours I couldn’t concentrate on any one and most of them had a negative affect on me as well.

I was down and the theme, content, negativity of those entire movies was nauseating.

In past also I had gone through passes like this (dark)  I stopped and tried to finish Terra Amata by French author and Nobel laureate J. M. G. Le Clézio.

I found it was about nothingness  my recurring theme. It’s been six months and I am halfway through the book, it seems I will need three more months (and three bout of depression) to finish it. Nothingness and the negativity associated with it were becoming repulsive, so I kept the book aside.

Thankfully after a couple of days I fell sick and this time I didn’t dared  to venture into the mistake I made just 2 days before.

Again I had to kill the time this time I decided to do it with something light and palatable.

I opened R 2020.

By evening I finished the book.

And after finishing it (me Mr. dark painter as my friend decodes me for my passivity) I too had some good vibes.

Mr Bhagat has become a phenomenon .You may love him or you may hat him, but you can not ignore him, what makes him what he is, I pondered.

After many months I picked up my pen started writing it down on my diary.

As I was blank so I thought of typing and uploading those 11 points (read 5.5 x2)

I wrote:

He is what he is because he could hold the nerve of the Indian reader because He

1. Writes in (simple) English
2. Use short sentences (the Nobel aspirants consumes one paragraph for one sentence) with words that most of us use when they are (ab) using English.
3. The most of the narratives are in conversations, not about subplot or mental mind game, smell, taste, scenery of the place. For all those he uses only one or two sentence so that reader can understand where the characters are and what they are feeling about. Thankfully most bad times pass very fast keeping the reader happy.
4. Love / romance will be there -unabashed .Most of the Nobel aspirant will try to write what is real /Mr .Bhagat will write what we fantasize about it-boy meet girl then he meets /hates /fights ….. (and whether movie ,music or popular literature romance sells)
5. The theme will be about something to which common people (read target audience, mostly youth) could relate to.
6. the protagonist tells the common feeling of a young guy (about girls ,sex, rich ,…..or common thought bubble of the youth )
7. Enough of humour and satire in every page so that no one is bored.
8. Sex –at the time when it seems reader are losing the grip, it freshen the mind up, so that writer can give you the final punch.
9. The protagonist will do the thing that most of the target reader do like –eating in Café Coffee day ,loitering in a popular hangout places(CP  , Dasaswamedh Ghat etc)
10. At the end the protagonist (a looser like most of us) become a winner (morally) and also to the eye of the reader (his main objective).
11.  Most importantly  There is a story –an opening ,a climax ,an ending (with a twist )  .He will not try any other new/unknown / zigzag narrative literary style (like most Noble aspirant do)  

Still there are many following the trend written above but this man is far ahead.

There are criticism against him also ,But I strongly feels in a democracy we all follow a cafeteria approach .You have all in the menu but reader have the right to choose /discard among all .

An ode to youth hood (যৌৱন)

An ode to youth hood (যৌৱন) 

After birth – the crying

Then the slumber of forgetfulness

Slowly its adolescence

Thereafter its youth

Youth hood is none but a dream.

And what after the dream?

The dream is better

Let it continue

 

Piece from Jatra (যাত্রা), a collection of creative fiction about journey of a young mind searching exactitude .

Also read:Jatra 

Sans You Bhupenda

artist :Uddip Talukdar

 

Sea of people on his arrival(from net)

On 05 th November when we got the news and everyone were shell shocked.

For All the three corore people who lives or has their roots on the eastern part of India, his existence is always taken for granted over last 75 years at least.

Long back when the new age Assamese brand was evolving only this man announced his arrival by singing in front of crowd at Axom Xahitya Xabha.

From those days till this date his name is synonymous with the Assamese identity.

For all the four or five generation we have taken him for granted .We know he is there as a evergreen figure in the moment of crisis ,in the moment of happiness ,in moments when we have to showcase ourselves and what not.

We can not imagine an entity called Bhupen Hazarika which can be wiped out just like that.

Still we can not imagine him to be an old man not being able to communicate to his people. As too us he is much younger than me, than my parents, grand parents.

Three years back I had my own bout of depression when I saw him as a slightly old man still trying to sing way he has been doing since last sixty years.

After that all of us knew that this day will come, but as it is unimaginable so we brushed this kind of nightmare away and prayed for his speedy recovery.

On the very first time when I got the news by night I thought with time I will be able to recover from the grief state of mind.

But it’s been three days and I am more grief stricken that before, as life sans Bhupen Hazarika will become a reality in the time to come.

As an individual I thought it is time for all of us to become more responsible in the time to come.

But on the very next moment, I become angry at my impudence,

How can anyone ever think of taking responsibility of such a big vacuum? 

If you closely observe –last three days not a single mind in the valley is at peace, all of us are restless as no one can ever imagine we can exist sans the Jajabor .

Who echoes (Prtidwani) the existence of a valley /a region / a contemporary entity called Assam.

Nilakantha

Great creators observe the society very precisely and in some of their creation they sketch the darker side of people in general which we deny in order to project our limitation as inevitable.

Somewhere in my blog I have written about the master Hrithik Ghatak in Meghe Dhaka Tara where he has nicely explored this cunning /unforgiving /ruthless/jealous /selfish human nature in the characters surrounding main protagonist Neeta. In fact this nature is in all of us and as in India –we are all some social creature so everyone has to intact the way society expect it to do so. And while performing your social responsibility you might lose your money, self respect and eventually your whole life.

Off late I was reading Natya Sambhar (নাট্য সম্ভাৰ)–the complete collection of plays written for moving theatre of Assam by master visionary Late Dr.Bhabendra Nath Saikia .

It’s a huge collection consisting of  24 full length  plays. Unquestionably all of them are masterpiece. As I started with the topic of uncivil behaviour of our so called community while I went through the plays in many plays I observed the same bitter observation as in Ghtak’s Meghe Dhaka Tara in completely different plots.

What runs parallel to Neeta’s life in the movie is similar to what happens in the life of Nilakantha (নীলকন্ঠ) - in the play by the same name. But Nilakantha was much stronger than Neeta .He had dream for himself, for his town, his family but all people wanted from Nilakantha was sacrifice. Nilakantha never minds giving, but appetite of a selfish surrounding was never satisfactory and fate had decided some other ending to his life.

But Nilakantha never bowed down to his fate but preferred to live the non existent life of monetary misery but his head still held high.

Terrific narration and as usual very illustrative dialogue with metaphor from daily life (the trade mark BNS dialogue) like

Nilakantha asks Radha after meeting her eleven years apart ‘How are you Radha? Any news?

Radha: What news can you expect from me, I am okay.

Nilakanth: Its been eleven years and still there is no news?

Radha: Even if it rains cats and dog have you seen water settling on duck's back, my life is something like that….

Dialogue like that hunts a spectator for many years .Nilakantha is notably one of the best drama from this collection. And that is the reason I believe we need more and more publication of plays and we should build up the habit of reading drama.

Because once staged a drama vanishes in the ambiguity of high speed life, and unlike movies and books never come back to public eyes even people want it to reproduce.

Death of a playwright

 

Students of English literarture begin with Shakespeare as they approach their subject, and Sanskrit Students starts with -Kalidas .Besides literature some examples of most common references from history, politics philosophy we quote are from works of Sophocles, Christopher Marlowe, Samuel Beckett etc .You can assume all those are playwright and their works have remarkable impact on human society till today.

Over last few years we have observed a sudden surge of readership when it comes to reading novel, short story, poems and even articles in Assam. That’s a very good sign.

But are we reading plays?

‘Not really ‘will be the answer from most of the avid reader.

Why?

Before going to its answer let us think what really is keeping the Shakespearean spirit alive? Definitely the numerous discussion, scholarly article, research and criticisms on Shakespeare over the years. That has lead to numerous adaptations in modern day venture (novel, cinema, songs) by virtue of which the culture is infused over the non reading generation also. So what is the problem we have in Assamese plays? 

Now the problem with Assamese drama is that modern Assamese play came late into the picture (1^st Assamese modern play was written in 1857, Gunaviram Baruah   ) and by that time Assamese short story, novel and poems had already arrived so to reader drama became a full fledged live audio visual art (so it developed a popular believe among common reader no need to read them)

Then come the Bramyaman theatre which is doing immense work in the field, but as it’s a commercial venture and many Bramyaman productions are made for mass audience. While doing so they become copycat reproduction of cheap Bollywood movie. Because of this many critique are distancing themselves from Bramyaman .And again because of it they are ignoring a important aspect of Assamese literature which needs to be discussed /researched etc. (because there are many original good stage venture in Bramyaman also)

So to a top critique drama in Assam they mean only the   -Amateur plays.

Now this amateur theatre in Assam are having problem of their own .From lack of facility, money, infrastructure, govt support, vcd aggression, and so on.

And what adding cheery on the top is a new form of change in amateur theatre.

Since last 15 years a new concept is evolving where theatre worker do not follow any text as script .They just take a concept/plot, and the script evolves during rehearsal with visual inputs from all the workers.

I have no problem with that kind of production but…. If this continues then their will is no one left to write an original Assamese play.

That might lead us to a day when no new play being written, so no one will read it so forget the staging / discussion or criticism part.

So as a result a whole genre of literature will lost as we seat our eyes closed.

Marketing of indigenous products

 

Everyday when you open a news paper or TV channel we see launching ceremony of new book or a new vcd. But after a few days when you got interested and ask for those book in a book stand or a mushrooming vcd parlor they will simply refuse its existence. You beg, you pray …but definitely you will not get hold of that book.

Even if you go to the most established book distributor in pan bazaar (the capital –of book industry) no one can help you.

Why it is happening?

I found as there are thousands of books being released every year  so they can not accommodate every book (or not bothered) any way there are text book, various model answer book or book that have guarantied selling (Test paper ,TET exam ,সহজলভ্য বনদৰব etc. etc…) to distribute so why to take headache .

True very true. Why to take headache?

That’s why a group of young publishers are coming up with a model example of holding book fair in every corner of Assam and selling their books. That’s a very welcome gesture ,but that results in one 6 or seven day event in one town .what if some one want to read ,buy a book in other 360 days of the year.

I believe the market of VCD is even worse when it comes to direct selling.

Now take the example of any English book /vcd or product.

You are not getting the product in your local store googled it you can buy the book /DVD on line on various reliable web site dedicated to marketing .So they are making the world easier for the net savvy  -book movie lover .You can buy other product too but I am talking about my forte only.

By dedicating service many of these web site owners are earning a fortune also.

The population of Assam is around 3 crore, much bigger than many of the east European countries.

Than why are we not having such facility in Assam also?

May be because we are not bothered or may be because we don’t have those skill or honesty needed for those venture?

Or we are happy that may be one book out of three thousand that are published and two VCD out of 1000 produced are doing very good business.

What about those other 99 % being shadowed in the oblivion?

In Assamese scenario we discuss a lot about role of critique or environment but the business part we seldom utter. So I believe we need these important things so that the market improves:

1. Proper marketing channel
2. Individual outlet listening to consumers wish and trying to satisfy them rather than continuing with their habit of why to take headache attitude  
3. Having honest E store for local product (As now the market is world wide)
4. To have honest publisher /producer.   Also read Bhruka 

The role of a Sutradhar

camera and our life

taken from net

Over the years the conventional understanding about a sutradhar was that it narrates the story but by itself it don’t take any active part, But to go against the defined rule is what excite more and so everyone rebels against the defined system .even if it is a –machine.

In modern day life the most well established story teller is –the camera ,wherever u go camera capture and tell the story ,remember Diwakar Benerjee’s LSD out there camera are playing the role of a sutradhar .

It was okay till then, but I strongly believe this modern world sutradhar is gathering some kind of paranormal power that affect psychology of the people it capturing

Few examples:

 A group were leading a peaceful protest rally, the camera arrived, and once the cameraman opens its shutter:-they started giving slogans and soon, they got out of control and started destroying everyone nearby

There were report of some scandal (it can be true ,it can be false and the incident is many days event )Once camera came to investigate ,people gathered ,Then they identifies the culprit (who might not be the one person who has done it ,but once camera rolls people started beating him up.

She is a normal girl next door with a boyfriend, the boyfriend buys a camera phone ---the rest is a movie story

SO is it our normal way of life  or the modern day sutradhar  induces us to act differently then we would have behaved without the camera shutter on , over which we don’t have any control.