Nilakantha

Great creators observe the society very precisely and in some of their creation they sketch the darker side of people in general which we deny in order to project our limitation as inevitable.

Somewhere in my blog I have written about the master Hrithik Ghatak in Meghe Dhaka Tara where he has nicely explored this cunning /unforgiving /ruthless/jealous /selfish human nature in the characters surrounding main protagonist Neeta. In fact this nature is in all of us and as in India –we are all some social creature so everyone has to intact the way society expect it to do so. And while performing your social responsibility you might lose your money, self respect and eventually your whole life.

Off late I was reading Natya Sambhar (নাট্য সম্ভাৰ)–the complete collection of plays written for moving theatre of Assam by master visionary Late Dr.Bhabendra Nath Saikia .

It’s a huge collection consisting of  24 full length  plays. Unquestionably all of them are masterpiece. As I started with the topic of uncivil behaviour of our so called community while I went through the plays in many plays I observed the same bitter observation as in Ghtak’s Meghe Dhaka Tara in completely different plots.

What runs parallel to Neeta’s life in the movie is similar to what happens in the life of Nilakantha (নীলকন্ঠ) - in the play by the same name. But Nilakantha was much stronger than Neeta .He had dream for himself, for his town, his family but all people wanted from Nilakantha was sacrifice. Nilakantha never minds giving, but appetite of a selfish surrounding was never satisfactory and fate had decided some other ending to his life.

But Nilakantha never bowed down to his fate but preferred to live the non existent life of monetary misery but his head still held high.

Terrific narration and as usual very illustrative dialogue with metaphor from daily life (the trade mark BNS dialogue) like

Nilakantha asks Radha after meeting her eleven years apart ‘How are you Radha? Any news?

Radha: What news can you expect from me, I am okay.

Nilakanth: Its been eleven years and still there is no news?

Radha: Even if it rains cats and dog have you seen water settling on duck's back, my life is something like that….

Dialogue like that hunts a spectator for many years .Nilakantha is notably one of the best drama from this collection. And that is the reason I believe we need more and more publication of plays and we should build up the habit of reading drama.

Because once staged a drama vanishes in the ambiguity of high speed life, and unlike movies and books never come back to public eyes even people want it to reproduce.

Death of a playwright

 

Students of English literarture begin with Shakespeare as they approach their subject, and Sanskrit Students starts with -Kalidas .Besides literature some examples of most common references from history, politics philosophy we quote are from works of Sophocles, Christopher Marlowe, Samuel Beckett etc .You can assume all those are playwright and their works have remarkable impact on human society till today.

Over last few years we have observed a sudden surge of readership when it comes to reading novel, short story, poems and even articles in Assam. That’s a very good sign.

But are we reading plays?

‘Not really ‘will be the answer from most of the avid reader.

Why?

Before going to its answer let us think what really is keeping the Shakespearean spirit alive? Definitely the numerous discussion, scholarly article, research and criticisms on Shakespeare over the years. That has lead to numerous adaptations in modern day venture (novel, cinema, songs) by virtue of which the culture is infused over the non reading generation also. So what is the problem we have in Assamese plays? 

Now the problem with Assamese drama is that modern Assamese play came late into the picture (1^st Assamese modern play was written in 1857, Gunaviram Baruah   ) and by that time Assamese short story, novel and poems had already arrived so to reader drama became a full fledged live audio visual art (so it developed a popular believe among common reader no need to read them)

Then come the Bramyaman theatre which is doing immense work in the field, but as it’s a commercial venture and many Bramyaman productions are made for mass audience. While doing so they become copycat reproduction of cheap Bollywood movie. Because of this many critique are distancing themselves from Bramyaman .And again because of it they are ignoring a important aspect of Assamese literature which needs to be discussed /researched etc. (because there are many original good stage venture in Bramyaman also)

So to a top critique drama in Assam they mean only the   -Amateur plays.

Now this amateur theatre in Assam are having problem of their own .From lack of facility, money, infrastructure, govt support, vcd aggression, and so on.

And what adding cheery on the top is a new form of change in amateur theatre.

Since last 15 years a new concept is evolving where theatre worker do not follow any text as script .They just take a concept/plot, and the script evolves during rehearsal with visual inputs from all the workers.

I have no problem with that kind of production but…. If this continues then their will is no one left to write an original Assamese play.

That might lead us to a day when no new play being written, so no one will read it so forget the staging / discussion or criticism part.

So as a result a whole genre of literature will lost as we seat our eyes closed.

Marketing of indigenous products

 

Everyday when you open a news paper or TV channel we see launching ceremony of new book or a new vcd. But after a few days when you got interested and ask for those book in a book stand or a mushrooming vcd parlor they will simply refuse its existence. You beg, you pray …but definitely you will not get hold of that book.

Even if you go to the most established book distributor in pan bazaar (the capital –of book industry) no one can help you.

Why it is happening?

I found as there are thousands of books being released every year  so they can not accommodate every book (or not bothered) any way there are text book, various model answer book or book that have guarantied selling (Test paper ,TET exam ,সহজলভ্য বনদৰব etc. etc…) to distribute so why to take headache .

True very true. Why to take headache?

That’s why a group of young publishers are coming up with a model example of holding book fair in every corner of Assam and selling their books. That’s a very welcome gesture ,but that results in one 6 or seven day event in one town .what if some one want to read ,buy a book in other 360 days of the year.

I believe the market of VCD is even worse when it comes to direct selling.

Now take the example of any English book /vcd or product.

You are not getting the product in your local store googled it you can buy the book /DVD on line on various reliable web site dedicated to marketing .So they are making the world easier for the net savvy  -book movie lover .You can buy other product too but I am talking about my forte only.

By dedicating service many of these web site owners are earning a fortune also.

The population of Assam is around 3 crore, much bigger than many of the east European countries.

Than why are we not having such facility in Assam also?

May be because we are not bothered or may be because we don’t have those skill or honesty needed for those venture?

Or we are happy that may be one book out of three thousand that are published and two VCD out of 1000 produced are doing very good business.

What about those other 99 % being shadowed in the oblivion?

In Assamese scenario we discuss a lot about role of critique or environment but the business part we seldom utter. So I believe we need these important things so that the market improves:

1. Proper marketing channel
2. Individual outlet listening to consumers wish and trying to satisfy them rather than continuing with their habit of why to take headache attitude  
3. Having honest E store for local product (As now the market is world wide)
4. To have honest publisher /producer.   Also read Bhruka 

The role of a Sutradhar

camera and our life

taken from net

Over the years the conventional understanding about a sutradhar was that it narrates the story but by itself it don’t take any active part, But to go against the defined rule is what excite more and so everyone rebels against the defined system .even if it is a –machine.

In modern day life the most well established story teller is –the camera ,wherever u go camera capture and tell the story ,remember Diwakar Benerjee’s LSD out there camera are playing the role of a sutradhar .

It was okay till then, but I strongly believe this modern world sutradhar is gathering some kind of paranormal power that affect psychology of the people it capturing

Few examples:

 A group were leading a peaceful protest rally, the camera arrived, and once the cameraman opens its shutter:-they started giving slogans and soon, they got out of control and started destroying everyone nearby

There were report of some scandal (it can be true ,it can be false and the incident is many days event )Once camera came to investigate ,people gathered ,Then they identifies the culprit (who might not be the one person who has done it ,but once camera rolls people started beating him up.

She is a normal girl next door with a boyfriend, the boyfriend buys a camera phone ---the rest is a movie story

SO is it our normal way of life  or the modern day sutradhar  induces us to act differently then we would have behaved without the camera shutter on , over which we don’t have any control.

In search of topoemas

A Topoema

Octavio Paz

It was 1996, I had some time off and was regularly loitering the book shelves of District library, Guwahati. I was ready to gulp anything that could food for thought and one day I picked up –The Collected Poems of Octavio Paz . I knew nothing about him at that time except that he is a big name.  I borrowed the book home, tried to read and comprehend but most of them were smarter than me at that time. To me poetry is to feel not to understand, so I was not bothered as long as I could feel them. What attracted me was some bizarre line in the form juxtaposition of word and sketch. They were named Topoema by the author.

I didn’t had a clue what was it all about but it appealed me so much that –I had those pages photocopied (may be illegal as per copyright act) and I am carrying those page till today though I have moved from Guwahati to Dibrugarh then  to Delhi then to Dehradun then…..over next twenty years.Those scripts continued to puzzle me and after the advent of internet I started to goggle what is topoeama by Octavio Paz but I found nothing.

When I could afford and most books become available in online shops I brought the book from flipkart then I found some clue and fell in love with the concept of topoeama .

It seems Mr. Paz also had some problem with words (or their meaning…also read words...

Even In net sphere now a days there is a very very little information available on Topoema .But  gradually I became convinced that in order to escape time and space and to give meaning and mystery to words Mr. Paz created Topema.

Later I found a paragraph about Topoema in a Spanish language in a Spanish website and had it translated with help of Google translate it says

“One of the most common obsessions in his poems is the desire to escape time, which led to the creation of a poetry space whose poems were baptized by the author under the name of topoemas (Moles + poem). This is what poetry space, poetry as opposed to the typical temporal and discursive. It is an intellectual and minority poetry, almost metaphysical in sign language also includes visual signals. In topoemas, as occurred in the poetry of the avant-garde, stress is suggestive and expressive power of visual images. There is no doubt that the last poetry of Octavio Paz is quite esoteric, but, beyond that, above all his poetry is noted for its lyricism and the magical sense that the author gives to words."

I said “Pretty surreal but damn appealing”

Much later I was intending to fictionalize Surrealism (not that I will write about art history but I intended to take some theme of surrealism and to write a fiction on it),I was lost then this Topema came to my rescue by becoming a part of the story .

About art history fictionalization 2: Impressionism

Uddip Talukdar The forgotten face

Claude Monet, Impression,1872

It’s paradoxical. I started to work on a story with the idea that I will fictionalize the impressionist art movement.  No, I will not write about art history but I will take spirit of the art movement as a theme for the new story. The idea of building a story out of a painting came to my mind when I came across this painting being made by one of my friend. I took the required permission and I fixed the title of the Story –Impressionism (চিহ্নবাদ).  But those of you who have little idea about art history will defiantly say that this painting doesn’t belong to the –impressionist genre.   

              This story is all about genesis. Conception of the story is somewhat similar to how some new and awkward art style was named as ‘impressionist’ by a sarcastic comment of art critique. A Claude Monnet work ‘Impression, Sunrise’ (1860) that was criticized as ‘Impression — I was certain of it. I was just telling myself that, since I was impressed, there had to be some impression in it … and what freedom, what ease of workmanship! Wallpaper in its embryonic state is more finished than that seascape.* (See wiki for detail by clicking here) Gradually the art form used in ‘Impression,’ became a style in itself.  full of visible brush strokes, open composition, emphasis on light in its changing qualities * for detail click here 

           When I saw the work The Forgotten Face for the first the impression was that of pain of genesis (of creation /creator or procreation).The impression created by the painting, idea of creation and the pain associated with the whole compulsive process was so overpowering that gradually it took the form of a story  'Cihnabad’ (ছিহ্ণবাদ not প্রতিতীবাদ which is the literal translation of impressionism in Assamese). Sometimes I feel I should have destroyed the story soon after I finished because of the negativity of the story or the story might have hurt a few people.

Later on I decided against it. As I believe the product of that huge traumatic mental exercise was not just a case of pseudocyasis but if we continue with the flow we might find some answer to our eternal problems.  

Also read# :Fictionalizing DADAISM

Darker side of creative work

To me a creative work was a creative work - darker the better till a few years back.

As our mind is not as simple as discussed in a linear book .While a dark literature tends to explore more inner self of a human mind, the most complex thing to understand of the entire study subjects.

I too explored the darker side of the mind which tends to affect me the person.

Accidental reading of a book called “Confessions of a pilgrim” –in conversation with Paulo Coelho had jolted me to some extent.  Mr. Coelho had too many real life experience of such darker side of life (Some of them are too ironic to be true…but I believe his extraordinary dramatic life events are natural to his ups and down).In the book he told the writer that once he completed one novel on his experience with darker self. But once he finished the book he destroyed the whole project as it appeared to him that its darker side might affect the mindset of billions of reader he is having as to many he is a spiritual guru also.

It was an amazing thing to me-how can a writer, destroy his own work after going through all the pain and suffering.

But he did just exactly that.

Off late there is an upcoming discussion about the darker side of dark art work say it 7 Khoon Maf, Black swan.

In Black Swan we can feel how an innocent, pretty girl gradually metamorphosed to a dark, murderous, ugly swine just for the sack of creativity .And those disturbing images were created so brilliantly that the viewers could also felt the agony of that sweet girl throughout the movie.

No doubt everything were perfect .But was it necessary to subject the viewer to go through all those masochistic creative exercise the writer/director/creator undertook?

The argument continues. To take Coelho’s path and destroy your creation for positivity O the Black Swan path and create a work that might affect others negatively.