Friday, 12 September 2025

The Storyteller

Author Sanjoy Das


 


Storytellers come in many forms. But ever since Gutenberg, the traditional oral storyteller has almost disappeared. Where do you still find them today? Maybe in a remote hill village, a jungle campfire, or a forgotten corner of the country—where people still tell stories, not for fame or prizes, but simply for the joy of telling.

For the last 25 years, I have been writing fiction. But am I really a “storyteller”? The line between a writer and a storyteller is fuzzy, and honestly, not my primary concern. What matters to me is the experience of stories—how they live, travel, and transform.

Recently, I watched The Storyteller, Ananth Mahadevan’s film based on a short story by Satyajit Ray. At its heart is a fascinating clash: an oral storyteller meets a businessman who secretly longs to be a writer. Who truly “owns” a story—the one who tells it or the one who pens it?

That question took me back to my days in Dehradun (2007–2012), when I had the privilege of knowing an unforgettable oral storyteller—Dr. Sanjoy Das. We spent almost five years in close company. Every evening, he would take us into the jungle or sometimes into the comfort of a hotel lounge, and then—story after story would flow.

He was a wildlife enthusiast and photographer, and his tales often came from real adventures in forests across India. Some had supernatural twists, others were so wild that I doubted them. Years later, I met a few of the “characters” in real life and realised his stories were true.

Despite his gift, he was strangely reluctant to publish. He had a coffee-table book ready, but instead of printing, he kept “finishing” it in Photoshop. For years! Whenever I suggested meeting a publisher, he dodged the idea—just like Tarini Bandopadhyay in The Storyteller.

At times, I wondered—did he really want his book out in the world? Or was telling the story enough for him? I even tried helping him connect with publishers, but nothing worked out before I left Dehradun in 2012.

Much later, the book finally came out. When I visited him a few months ago, he gifted me a copy. Holding it, I felt a strange pride. I hadn’t written a single line, yet I was part of it—because I had lived inside those stories for years.

The experience reminded me of another film—Big Fish. Its protagonist is also an extravagant storyteller, while his son, a writer, keeps questioning the truth of his tales. Only when the son meets the people from those stories does he finally reconcile with his father’s world.

For me, Dr. Sanjoy Das is my own “Big Fish.” His reluctant masterpiece may have taken years, but his stories—told with the same intensity every time—were always alive, somewhere between myth and truth. And perhaps that is what makes a real storyteller.








Thursday, 12 June 2025

The Palace of Ajatsatru

When left unattended and forgotten, archaeological ruins become little more than lifeless piles of stones and gutters—silent remnants of history. Over time, myth and folklore envelop them, and when a passer by asks, “What is this?” These ruins become fragments of imagination woven from threads of history and legend. Often, local guides—and now social media influencers—spin popular stories around these relics, blending fact and fiction.

Similarly, about four years ago, I stumbled upon the ruins of a fort in Rajgir. It was said to have belonged to King Ajatashatru, who ruled Magadha during the time of the Buddha. By then, I had read various literature on that legend, and my interest grew.  

Ajatashatru is popularly perceived as an eccentric, somewhat tyrannical figure, unlike his father, Bimbisara, whom Ajasatru is said to have killed to claim the throne. Today, the fort is nothing more than a heap of stones in the historically significant town of Rajgir—then known as Rajgriha.

This human connection to the past became part of my journey while writing serial fiction, initially thought to be a short story, then a novella, then a full-length Novel in parts, Marich(মাৰীচ), published in Prakash(প্ৰকাশ), the Assamese monthly. 

When I revisited the site two days ago, I gazed upon those stone piles again, rich with stories, myths, and inspiration for my novel.



Sunday, 1 January 2023

A sentence for the movie I watched in 2022

After a gap of about ten long years, could Watch  many movies this year, Few of them impacted my mind, and few were so-so, as all will be forgotten soon; hence decided to write the name and, at the end, put one sentence for all of them  


Pans Labyrinth – 2006  Spanish, Guillermo del Toro    ---- Shacked my imagination.  



Rashomon   - 1950,   Akira Kurushawa –Gave me some hope. 




Loving Vincent - effort and simplicity touched my heart.



 



picture out of painting, Direction - Polish Twój Vincent) is a 2017 experimental adult animated biographical drama film about the life of the painter Vincent van Gogh Dorota KobielaHugh Welchman




AVATAR -1 – 2009 James Cameron – (2nd Visit ): Liberal capitalism with detailing of perfect storytelling for my son 


Ex Machina – 2014 Alex Garland : Brainstorming, Dark twister -had dark thoughts after watching 






 

SOUL (Animation)-2020 -Pete Doctor – Beautiful imagination


Jalsagar – 1958 (Satyajit Ray ): Melancholy of change 






 Kantara (Kanada -2022)- folklore embraced in stereotype with a great amalgamation.



 Belfast 2021 Kenneth Branagh: Similar troubled history 

The Dark Knight Trilogy -  Batman Begins (2005), The Dark Knight (2008), and The Dark Knight Rises (2012)- avoided it for a long, lets us embrace  the fact. 


 Chiriyankhana (Bangla , Satyajit Ray-1967): Story Shradinanda Bangopodhyai,Byomkesh Bakshi 

Reinventing the master again 



Matrix Trilogy -avoided for very long , looked d down upon ----but reconciliation worth for 


  Minority Report (Spielberg-2002)- Dystopian narrative 




Shatranj Ke Khiladi (Satyajit Ray 1977)-Story -Munchi Premchand : Hats off to the two masters recreation






Hirak Rajar Dehse (Satyajit Ray 1980 ): Masters Political message 






Sonar kella (Satyajit Ray) 1974 Movie -Feluda: Great way to tell a story 



  A Yak in the classroom (2019-Bhutan entry into Oscar ): Simple but touching, felt the director ended it with a common cliche 




Bokul –(Assamese ,Reema Borah ) : A good story from Assam 




 

Murder at Orient Express  and Death at Nile: Efforts to discover Agatha Christie







The Darkest hour: The movie is made of cliche, but it is the truth hence really Inspiring in the modern condition (I forgot the layers as it is only a movie )  







  

Angoor 1982 Gulzar. Have revisited it many times, and every time saluted both masters. 



Naram Garam (Hrishikesh Mukherji1981): Childhood revisited 





The Big Short: I didn't understand many things - but enough to convey that Economy is a looming Monster, the importance of the movie will go up in the coming time with recession looming 





  Death of Stalin (2012): How the system works in a totalitarian world 






Youth: Sometimes, everything seems to be gone, with age it magnitude increase in that case this is a inspirational movie 



CODA : For music and inspiration 




AK 47; just wanted to know the story behind the man who made this killing machine. 


Indiana Jones and Temple of dooms  (Speilberg): Story for my son 




Spielberg (Documentary - Hotstar) : Wanted to know how he can touch so many people 



Fauci (Documentary - Hotstar)- Being a Clinical Microbiologist, you should know how to manage media and the system and balance it with science. 






Nomadland: That time to connect is missing in my life 

 





Shine: Music after the holocaust and a true story 



 





Licorice pizza: Forgettable except for the romanticism of the past 

 


 

Good Luck Jerry : Well-written dark comic thriller


Jug jug jio : A binge movie with wife  



Portrait of a Lady on Fire : painting old time LGBTQ 




Professor Shankhu in Eldorado  : To know modern adaptation of auteur 
 
83 - watch fresh only 




Sharma Namkin: One character by two actors is something to be watched for 



Thursday : A disappointing movie